Secrets in Kim Young-hwa's works - the moment of magic

You have to look closely when looking at the work.
If you take a picture with your cell phone and magnify what is in it, you can find the essence.

enlarged view

confirmed look

Paintings congealed with oil are entangled with each other and cannot be seen if you look closely at the contents. However, if you look at Kim Young-hwa's paintings with a large magnification, you can see that there are mysterious treasures in them. Each one is separated from each other and there is ink in them, so you can feel the subtle things.

The ink between them coated with mineral pigment creates a truly mysterious world.Curiously, you can find a golden flag in Kim Young-hwa's paintings. The golden flag may be the flag of golf, but it may also be our goal in life. We are running toward that goal. People with goals are much better at managing their lives than people without goals.

The artist says that he paints this picture with the power of energy obtained through meditation. The meditation is not done overnight, but is a world of mindless meditation that has been built up over decades. The world of meditation relaxes people and increases their energy.

The mystery of Kim Young-hwa's work is twofold. It is a harmony of ink and golden light. The two of them harmonize with each other while filling up the energy lacking only with ink light with golden light, which really makes people feel comfortable and healed.

She, who has been researching and pursuing the spirit and Zen of the East all her life, is constantly expressing her ideas with dark ink, golden touches, and intense and deep colors.  Her work is literally meditation itself.  Coming out of meditation, creating in meditation, and bringing meditation to the viewer.

Moment The moment of magic has a structure of consistent three-dimensional division.

It is rare for a work to be divided into divisions on one canvas.  In the early works of artist Kim Young-hwa, the beginning of erotic melodies and energy was expressed to fill a screen.

While trying to constantly evolve in her creations, she tried to divide the boundaries of her work and try her work, which stands out with vibrant colors and oriental style of brush strokes on a two-divided surface.  According to writer Kim Young-hwa, “The two-part work was a new attempt, but there were inconveniences.  The divided space gave a feeling of holding each other in check.”  She said yes, so she tried a 3-part work.

The non-figurative work of color, ink, and gold powder on the three-division plane added a sense of stability to her paintings.  The number 3 means perfection.  It reduces the stress of choice, creates balance and creates a sense of rhythm.

Take a closer look at this piece! When I look at the work, it seems like waves are crashing or something gushes out. The energy in it is both power and the source of life.

It seems that this part of the energy is blooming. Energy must express itself, but if it is confined, the energy stops and cannot move. However, just looking at the slowly rising energy makes me feel good. We can live a wonderful life only by amplifying our own energy.

It seems that this part of the energy is blooming. Energy must express itself, but if it is confined, the energy stops and cannot move. However, just looking at the slowly rising energy makes me feel good. We can live a wonderful life only by amplifying our own energy.

I really like the picture of this part.  Looking at this part, it feels like an unknown hope is springing up, and it feels so good to feel like my hope is springing up in a round hill.

And because the golden light underneath supports it, it somehow feels more comfortable.

This part is also the climax of the song. For some reason, you can feel the power wriggling in it as it gushes out.

Kim Young-hwa's paintings can be seen as paintings in which elements are equipped with natural formative beauty. You can feel the subtlety of the painting in it no matter what you see in the restrained formative beauty. It is also called the magic moment.

Looking at this part, I feel like I'm looking at the starlight in the night sky. The twinkling white light between the dark pieces makes me feel like I'm looking at the night sky. Looking at it seems to give me a little hope for some reason.

It feels like the older child and the younger child become friends and give each other comfort and not feel lonely.

It feels like the older child and the younger child become friends and give each other comfort and not feel lonely.

what about this part?  This and that place are connected parts, but it feels like another piece that is separate from one another.

our life is like that

We communicate with each other while looking at our different selves.  That's why the expression "ball (one)" is also used.

The part described so far is shown by taking a part of this picture.  It's healing when you see so many stories in one picture, and it's a picture you want to see again and again.

Artist Kim Young-hwa's works are made of ink, so no two paintings are the same.  At first glance, it may look similar, but if you look closely, there are tens of thousands of different shapes in the same picture, so you can't copy them and never come out similar.  So it has more charm.

This seems to be the reason why foreigners like Kim Young-hwa's works more than Koreans.  Foreigners are mysterious because they have never seen such a picture and do not know what to eat.

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Therefore, it seems that Kim Young-hwa's painting is a painting of healing as well as a healing of the mind.​​

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